Wednesday, February 28, 2007

Is Winter Over Yet?




It has been a hard and wintery February in the Baltimore area but parts of the United States have had it much worse so we really should not complain! The above photograph shows my home at 3800 Canterbury Road, in Baltimore a couple of weeks ago after a snow and ice storm. Our condominium apartment is the one with the balcony on the right (3rd floor). The Johns Hopkins University is a block away to the left and we live in an area known as Tuscany-Canterbury.
The other photograph shows a scatter of holly berries on the snow opposite the Broadview Apartments down 39th Street from where we live. When I took the photo there had been a sharp, frigid wind since the snowfall which might have accounted for the fallen berries. However, also the local robins and other birds had been attacking the hollies and ivy to get berries. So it might have been their doing that so many berries were scattered on the ground. The poor things must have been ravenous in this freeze. I remember one extremely cold evening when I arrived at Union Station to get the train back to Baltimore and hundreds of starlings had come in under the groined roof of the arcade at the front of the station to get out of the cold. They were all gathered there like big thin eyebrows on the arches.
Now -- hopefully! -- today, Spring is arriving in this area with temps climbing into the fifties expected -- although I would not be surprised if we still see some more snow before Spring really gets here!!!


Wednesday, January 10, 2007

Christopher and Robin





"Berry Beak" courtesy of Leslie F. Miller

Today is my birthday. I am fifty nine years young, born at Oxford Street Maternity Hospital, Liverpool, on January 10, 1948. This is the same hospital where John Lennon was born eight years earlier, and there is a plaque on the building now which I believe now serves as student housing for the University of Liverpool.

Why the robin at the head of this post? "You might well arsk," as John would have said. Well, it so happens that the same day that I was born, my cousin was born to Jack and Audrey Underwood in the same maternity hospital where my Mum had moi. So they called him. . . ah, yes, you guessed it, after the character in the A. A. Milne stories, oh, Pooh! Happy Birthday, Robin, old chap!

The English robin is quite different to the American robin shown in the above fine photograph by my fellow Baltimorean, Leslie F. Miller. While the Yankee robin, Turdus migratorius (what a name!!!!), is a bigger chappie, a member of the thrush family, the English or, more correctly, the European robin, Latin name Erithacus rubecula, is more sparrow size, and is traditionally associated with Christmas and winter in general.

Homesick English colonists gave the American bird the name "robin" because it reminded them of the robin redbreast they remembered from back home. This from Ernest Thompson Seton, "On the Popular Names of Birds" (1919):

The scientists scolded the colonists fiercely for calling it a "Robin." It was not a "Robin," they maintained, it was a Thrush of the Merula section of the family; and they refused to use, print or sanction any English name for the bird except "Migratory Thrush." After a century of irascible attack, which was received in silent, ponderous apathy, the scientists were beaten. The cause of English triumphed and today actually even the scientific lists give the bird as the "American Robin," by which name it is known to every child in America, and loved because it is known.

My co-editor at Loch Raven Review, Jim Doss, chose a fine photo of the English robin to run on the cover of our Winter issue just out. To read the issue and see the pic, follow the link through the title above to see that rambunctious little songster, Erithacus rubecula, so redolent of Christmas cheer and cold English gardens!

Here is an excerpt from the story My Robin by FRANCES HODGSON BURNETT, author of The Secret Garden. It was published in 1912 and serves as a kind of follow-up to the writer's better known story, written in response to a reader who asked, "Did you own the original of the robin? He could not have been a mere creature of fantasy. I feel sure you owned him."

I was thrilled to the centre of my being. Here was some one who plainly had been intimate with robins–-English robins. I wrote and explained as far as one could in a letter what I am now going to relate in detail.

I did not own the robin–-he owned me–-or perhaps we owned each other.

He was an English robin and he was a person--not a mere bird. An English robin differs greatly from the American one. He is much smaller and quite differently shaped. His body is daintily round and plump, his legs are delicately slender. He is a graceful little patrician with an astonishing allurement of bearing. His eye is large and dark and dewy; he wears a tight little red satin waistcoat on his full round breast and every tilt of his head, every flirt of his wing is instinct with dramatic significance. He is fascinatingly conceited–he burns with curiosity--he is determined to engage in social relations at almost any cost and his raging jealousy of attention paid to less worthy objects than himself drives him at times to efforts to charm and distract which are irresistible. An intimacy with a robin--an English robin--is a liberal education.

This particular one I knew in my rose-garden in Kent. I feel sure he was born there and for a summer at least believed it to be the world. It was a lovesome, mystic place, shut in partly by old red brick walls against which fruit trees were trained and partly by a laurel hedge with a wood behind it. It was my habit to sit and write there under an aged writhen tree, gray with lichen and festooned with roses. The soft silence of it–-the remote aloofness–-were the most perfect ever dreamed of. But let me not be led astray by the garden. . . .

When I returned from the world of winter sports, of mountain snows, of tobogganing and skis I felt as if I had been absent a long time. There had been snow even in Kent and the park and gardens were white. I arrived in the evening. The next morning I threw on my red frieze garden cloak and went down the flagged terrace and the Long Walk through the walled gardens to the beloved place where the rose bushes stood dark and slender and leafless among the whiteness. I went to my own tree and stood under it and called.

"Are you gone," I said in my heart; "are you gone, little Soul? Shall I never see you again?"

After the call I waited–and I had never waited before. The roses were gone and he was not in the rose-world. I called again. The call was sometimes a soft whistle as near a robin sound as I could make it–-sometimes it was a chirp–sometimes it was a quick clear repetition of "Sweet! Sweet! Sweetie"–-which I fancied he liked best. I made one after the other–and then–something scarlet flashed across the lawn, across the rose-walk–over the wall and he was there. He had not forgotten, it had not been too long, he alighted on the snowy brown grass at my feet.

Then I knew he was a little Soul and not only a bird and the real parting which must come in a few weeks' time loomed up before me a strange tragic thing.

. . . . . . .

I do not often allow myself to think of it. It was too final. And there was nothing to be done. I was going thousands of miles across the sea. A little warm thing of scarlet and brown feathers and pulsating trilling throat lives such a brief life. The little soul in its black dew-drop eye–-one knows nothing about it. For myself I sometimes believe strange things. We two were something weirdly near to each other.

At the end I went down to the bare world of roses one soft damp day and stood under the tree and called him for the last time. He did not keep me waiting and he flew to a twig very near my face. I could not write all I said to him. I tried with all my heart to explain and he answered me–-between his listenings–-with the "far away" love note. I talked to him as if he knew all I knew. He put his head on one side and listened so intently that I felt that he understood. I told him that I must go away and that we should not see each other again and I told him why.

"But you must not think when I do not come back it is because I have fogotten you," I said. "Never since I was born have I loved anything as I have loved you–-except my two babies. Never shall I love anything so much again so long as I am in the world. You are a little Soul and I am a little Soul and we shall love each other forever and ever. We won't say Goodbye. We have been too near to each other–-nearer than human beings are. I love you and love you and love you–little Soul."

Then I went out of the rose-garden. I shall never go into it again.


FRANCES HODGSON BURNETT
Copyright, 1912.
All rights reserved

Friday, November 10, 2006

Man of Steele













Maryland senatorial candidate Michael Steele, the state's Republican lieutenant governor and an African American running against Democrat and 35-year veteran Congressman Benjamin L. Cardin to fill retiring Senator Paul Sarbanes' seat, will be remembered not only for his ad with the trash cans, accusing the Democrats of dirty tricks, but also his expressed liking for puppies. He came across as a nice guy but a politician with no substance. I felt no inclination to vote for him. He will be remembered as a well groomed candidate who intoned in his "Real Ideas for Change" video: "Soon your TV will be jammed with negative ads from the Washington crowd. . . saying Steele hates puppies, and worse. For the record, I love puppies. . ." His following idea to ban on all gifts from lobbyists was worthwhile, if hollow coming from a Republican in the wake of the Jack Abramoff scandal.

Possibly Michael Steele is no worse than any other politician, although he seems inexperienced and naive. As nice a guy as he might be, I felt about him the same way I felt about the last lieutenant governor of Maryland to run for higher office, Kathleen Kennedy Townshend, daughter of the late Robert Kennedy, who was repudiated by the people of the state in her attempt to run for Governor of Maryland four years ago in the election that saw Robert Leroy "Bob" Ehrlich, Jr., Congressman for Maryland's 2nd Congressional district, beat her handily to become Maryland's 60th governor.

The election fight between Ehrlich and Baltimore Mayor Martin O'Malley in the Maryland gubernatorial race that saw O'Malley triumph to become the state's 61st governor on Tuesday was also down and dirty. As did many, I was not sure Mr. O'Malley deserved to be governor. Baltimore Sun columnist Dan Rodericks and the Baltimore City Paper both pointed out that O'Malley has not finished the job that he promised to do in Baltimore let alone to run for higher office.

Ehrlich's Republican administration was accused of underhanded tactics. A well publicized exposé showed Ehrlich and his henchman fired state workers from the state government to install Republicans instead. It was also reported in the Washington Post on Wednesday that the Ehrlich campaign bused in homeless people to Prince Georges County to campaign for Ehrlich and Steele, giving them $100 and two meals and misleading ballots to hand out. The ballots misidentified Gov. Ehrlich and Michael Steele as Democrats and failed to tell potential voters that they were Republicans.

There is no doubt though that the Dems swept to victory because of the mistakes of the Bush Administration, going into the disastrous war in Iraq, a major mistake on George W. Bush's part for which this nation will be paying for generations, along with the crass ineptitude shown following the Katrina tragedy, and the malaise of the numerous scandals that have dogged Republicans.



Under Arc Lights

It's election night in our nation's capital.
In Union Station, caterers lay power tables,
prepare designer meals, slaughter the fatted calf.

Under arc lights and a weeping sky, reporters speak
to the yearning nation, makeup perfect, faces shining
in the reflected light of silver photographic umbrellas.

And in forwarding bases, desert camouflage boots shuffle,
orders bark new recruits and men on yet another tour, move
off to the faroff land where their nation sends them.

Christopher T. George

Tuesday, October 31, 2006

"Don't Give Up the Ship!"

I gave a talk on Sunday afternoon at the Burlington County (New Jersey) Historical Society on the occasion of the 225th birthday of Captain James Lawrence, he of "Don't Give Up the Ship" fame (follow the link through the title for more information on Lawrence and his career).

Captain Lawrence's birthplace, as well as the home of James Fennimore Cooper, are on the grounds of the historical society, so it was quite an occasion. The education director of the society was dressed up as Captain Lawrence, looking remarkably health for being dead a couple of hundred years, a local band played naval anthems, and a wreath was placed on the door of Lawrence's house.

Though it was sunny it was blowing a gale and the wreath, of entwined twigs, blue ribbon and gold balls, threatened to blow away. Afterward we retired to the warm inside of the society headquarters for an awards ceremony for an essay contest held by the local newspaper for schoolchildren who had written essays on the meaning of "Don't Give Up the Ship."

Then I talked on the icons of the War of 1812, including Lawrence's words, other slogans and artifacts such as "Free Trade and Sailors' Rights," Old Ironsides, and the Star-Spangled Banner. My point was that although in truth the War of 1812 itself was a stalemate, with neither the United States nor Great Britain clearly winning and battles won by both sides, major symbols came out of the war and the conflict ended with the United States being united and having a new national identity which it did not display beforehand, being more competing states before the war.

Although the Kodak carousel slide projector (yes I am still in the dark ages) jammed partway through my talk, I continued the talk without a hitch to an interested and engaged audience. My talk was followed by one by Admiral Tobin (USN, retired), head of the Naval Historical Center, who spoke about Lawrence and other US Navy commanders. He also delighted the audience by showing them the first US flag that had flown at Iwo Jima after the famous battle which he and his wife had brought with them. During a refreshments period at the end of the event, I sold copies of my book Terror on the Chesapeake: The War of 1812 on the Bay and promoted the Journal of the War of 1812 which I edit.

I had traveled up that morning by Amtrak to Philadelphia 30th Street Station and thence by New Jersey local transit rail and light rail to Burlington. A long and complicated series of changes but I made it in time to have a pleasant brunch with white zinfandel at the Gallery Café overlooking the Delaware River where reenactors of different periods were braving the wind, loosing off cannon fire and musket volleys.

The following poem was written on the rather cold journey back to Philadelphia on those local lines:

Under a Cut Penny Moon

I am stranded in Lindenwold
this freezing evening

on a deserted platform waiting
for the gambler's train.

Papa won't be coming home
to make bambino tonight.

I'm waiting for some hot tips,
my lucky number to turn up.

Instead I've got a defective
platform light flickering

above my head, my thighs cold.
On the one-line train track

I see a Wendy's styrofoam cup,
the paper's real estate section.

I bang the light pole,
make the halogen flicker

for a while inside
its fly-specked glass.

I am stranded in Lindenwold
waiting for a hot number.

Papa won't be coming home
to make bambino tonight.

Christopher T. George

Wednesday, October 18, 2006

Chris George in the Spotlight at Triplopia














I am pleased to announce that there is a spotlight interview with me in the new "Fear" Issue of Triplopia magazine. Go to the link through the title above.

The interview is wide-ranging, covering, in addition to my creative writing interests, my thoughts on Jack the Ripper, the War of 1812, the Internet, and the writing art in general. I answered questions posed to me my e-mail over a number of months by Triplopia editors Gene Justice and Tara Elliott, and during part of the time Gene happened to be in South Korea so it was really an international conversation.

Included in the poetry section of the issue are my poems, "The Ghosts of Cambodia," "Morecambe Bay Cocklers Tragedy," "Apple Blossom and Roses at Auschwitz," and also two poems in the interview, "A Pack of Lies" and "My Book Is Eaten By Termites" and an excerpt from "Jack: The Musical" by Erik Sitbon and myself.

In the interview, I was able to share some of my ideas of what I believe makes for important and interesting poetry. I do think that modern poetry can speak to our world so it is a tragedy really that poetry is not better understood and appreciated by the masses. It behooves we poets to reach out and touch the people who say they do not "understand" poetry and bring them to a better or fuller appreciation of what poetry can say about modern life or life in general.

Basically, I am not the type of poet who writes only for myself and just puts my poems in a drawer, although I have heard a large number of poet say exactly that. In other words, in taking part in Internet workshops I am doing so to help become a better poet myself in order to write for publication and (perhaps) fame if that is possible, or at least to become more widely known. Thus, I do remark in the interview that poems should attempt major themes and that I don't think, in the main, poets are going to write important poems by just contemplating themselves and their own problems.

My fellow Loch Raven Review editor, Jim Doss, and I held a successful first reading for the magazine at the Load of Fun Galley on North Avenue in Baltimore on Friday, October 6. It was the first of a number of readings we are planning for the coming months. You can see some video excerpts from the October 6 reading by going to http://www.youtube.com/v/zPYUwksCBRI -- check it out! Also have a look at Jim Doss's blog where we both have poems about the reading. Go to http://jimdoss.blogspot.com/. Enjoy!

Sunday, October 01, 2006

Kenneth W. Matchett

A celebrated member of my family has died. Kenneth W. Matchett, OBE, was my mother's cousin and they were the same age. He was manager of the Bournemouth Symphony Orchestra for some years for which he was awarded the OBE. Later, he managed a trout farm for Lord Shaftesbury. I have been trying to find an on-line obituary on him but have yet to be able to find one. I have been told there was an extensive obit in yesterday's Daily Telegraph. If anyone has access to it perhaps you could send it to me or direct me to the URL I would appreciate it. Thanks!

Ken helped set up the concert version of the show by Erik Sitbon and myself, "Jack--The Musical" at the UK Ripper convention held in Bournemouth in 2001. He thought that the singers would find the upstairs meeting rooms at the Suncliff Hotel to be rather dry for singing and advised that we hold the concert in the downstairs bar, which turned out to be an excellent location and enabled me to be a narrator and scene setter as barman of "The Ten Bells."

The below poem is a tribute to Ken Matchett.

Ammonite Fossil

To Kenneth W. Matchett, OBE
(Sept. 24, 1920 - Sept. 26, 2006)


I recall you as I trace with my index finger
the chambered whirl of the fossil on my desk.
I found it in Kimmeridge Bay amid the scree
of slate as we sought to fight for a foothold.

You demonstrated how to chip off cleanly
the excess rock with my miniature pickax
so I could transport my prize discovery
in my backpack. Curious seals coughed

and watched from sea-surged rocks
that diamond-bright Dorset morning.
Objective accomplished, we ascended
the cinder track to your Vauxhall.

Sun beat down upon us as we climbed.
You'd showed me how to soak a towel
in the sea to beat the sunstroke:
I wore it cool under my school cap.

Christopher T. George

Friday, September 22, 2006

Catching Up

Schlepping It

Hello, Bob, it gratifies my heart
to see you schlepping your luggage
through Union Station, tired, harried,
harrassed like yours truly--

you with your newsworthy mug,
your bestselling blockbusters,
reaping mucho buckos compared
to my thin Roosevelt dime, huffing

through travel delays to grab
a cab with pine scent air freshener
dangling with the cabbie's
prayer beads, his U.S. flag

as Columbus in the circle stands
burdened with pigeons that roost
on his folded marble arms like raisins:
Christo schlepping just like Bob and me.

Christopher T. George

The "Bob" I saw by the way was columnist Bob Novak, who has been involved in the Karl Rove - Valerie Plame affair. I thought of making it Bob Woodward, which would bring a whole other aspect into it and mentioning how the little affair in Iraq is going but then I thought that would take the poem into a direction and heaviness I perhaps did not want to go in. . . Any comments appreciated.

And in case anyone does not know the word "schlep"--

From the Free Online Dictionary: schlep: To carry clumsily or with difficulty; lug.

It's a Yiddish word.

Chris

* * * *



The Dockers' Clock

As I clock off with relief after
another day of ob-gyn editing in D.C.,
I recall the Dockers' Clock back home
in Liverpool where I toiled as a clerk
each day recording the ships coming in
and out of dock seeing the eight-sided
granite clock tower erected by Jesse Hartley
a full hundred years before my birth:
eight clock faces showing eight times
every day with corroded copper hands on
the stone tower named for good Queen Vic,
then a girl only ten years on the throne
and happy -- thirteen years before Albert's
death from typhus. Stalwart-named docks,
warrens of industry amid Liverpool's
poverty: Albert, Canning, Huskisson,
Nelson, Stanley, Wellington. . .


Christopher T. George


  • Jesse Hartley - Victoria Tower 1848, a.k.a. The Dockers' Clock




  • * * * *

    Wearing My Mother's Cardigan

    The first cold snap of Fall: a frigid
    northwest wind blows like a blast
    off the Greenland sea. I forget
    my jacket in work; Mother loans me
    her black wool cardigan with its
    hint of Calvin Kline's "Escape."

    I wheel her to our Crackpot meal;
    she hands me her shopping list
    with a white purple-veined hand.
    Her birthday's a fortnight away
    and she's scrawled on the bottom,
    in confusion, "What age am I?"

    Christopher T. George

    Sunday, September 03, 2006

    Winners of the "What Inspires You" Contest

    I am very pleased to award first prize in my "What Inspires You" Contest to New Zealander Christina Pater for her unusual and very personal "Writing a Hillside." Second Prize goes to Penny August for "Inspiration" which has a strong and memorable ending. Well done, Christina and Penny, and thank you to all who participated. The two recognized poems follow -


    First Prize


    Writing a Hillside


    You ask what things
    inspire me to write -
    they are like leaves of grass:

    The woman who waits in her bed,
    through her treatment torture
    with its symphony of pills,
    for her cancer to abate.

    All the drunks in bars
    crying to be saved -

    The way I scrimmage
    to garner my living.

    The fear of swallowing an apple seed
    and having a tree sprout from my belly button.

    The white she-wolf who pads beside me.

    The moon beneath her hood of night.

    Every life stolen by a bullet.

    Political prophecy on the wall
    of a motorway viaduct.

    Willow fingers rhinestoned with ice
    wafted above the steaming July river.

    Water dancing with light,

    light breathing in darkness.

    I write so that someone may read this
    and recognise me.

    I write to bind you in narrative threads
    and reel you in.

    I write the flute of wind
    through blades of grass
    along the hillside sheep tracks
    of my homeland.


    -- Christina Pater



    Second Prize


    Inspiration


    Not the pinks, purples and oranges
    of a Colorado sunset
    nor the ever-changing profile
    of the Rockies every evening
    not the dew on the morning
    summertime new blades of grass
    nor the magpies sunrise
    chatter in my garden.
    Not the criss-cross pattern
    on the dragonfly's wings
    nor the swish of the horse's tail
    greeting me as I walk past
    not the changing colors
    of the fall canopy of leaves
    or the yellow swelling of my heart
    thinking of those
    I love.


    Words flow most abundantly
    when my mind is overwhelmed
    and my heart
    is overburdened.
    I still my mind
    and I rest my heart
    then I stop. and listen
    to the noise
    all around me,
    and quiet it
    with my words.

    - penny august

    Tuesday, August 22, 2006

    "What Inspires You?" Poetry Contest Deadline Is Here!

    What inspires you? Tell me in a poem of thirty lines or less, any form. Send your entries to me at editorctrip@yahoo.com by midnight on Thursday, August 31, Eastern time. Winners will be published here on my blog and first prize winner also receives a copy of the CD of the Charlotte production of highlights from the musical by composer Erik Sitbon and myself, "Jack The Musical: The Ripper Pursued." Good luck!

    Chris





    Abbott and Costello

    My new white baseball cap says
    in front "Abbott and Costello"
    "Who's on First?" in back, bought

    for the yellow Seadog powerboat
    ride on Lake Michigan, a-chunka,
    a-chunka, a-chunka, spray

    in my face, grab onto my cap,
    keep the burn off my balding head;
    ride the Irish-green Chicago River,

    gaze giddy up at the Sears Tower,
    Chris, the kid tour guide, babbling
    about Al Capone and Patrick the Duck.

    And I think, you're there,
    and I'm here, hold onto
    my cap. "Who's on First?"



    God's Light Show

    Our plane begins its descent to
    Baltimore, distant clouds illumined
    with stark bursts of lightning
    which flare behind cumulo-nimbus;
    we reclaim our luggage -- it's
    midnight, streets drenched.

    This a.m., two monarch butterflies duelled
    in crystal light over zinnias as
    traffic surged on Chicago's
    Magnificent Mile. I dropped three bucks
    in a plastic cup with homemade sign
    by Nordstrom's: "Hungry. God Bless U."



    The Trouble with Fluff

    I find it in my pocket
    with my change and my keys,
    in the corners of this room

    that I clean because
    the computer tech's coming,
    dust and grit, fabric fluff,
    my old shed skin scales, cat fur--

    That girl's a nice bit of fluff.
    The world's in a fluff.
    Fluff in a navel.
    Fluff is just stuff.

    The TV's full of fluff,
    movie actors act in fluff,
    sequels to sequels to sequels,
    pure unadulterated fluff.

    Cut out the fluff
    and give us something real.


    I fluffed my lines
    on entering in "Bus Stop"
    watching the fake snow fall
    --all that fluff drifting down.

    I must clean this corner
    of all this fluff: sheddings
    of humans and cats and house --
    there's too much living going on!
    -- just wish there was more gelt
    in my pocket and less fluff.

    Christopher T. George

    Monday, July 31, 2006

    What Inspires You? New Poetry Contest

    Baskin's Baird

    On the lawns I anticipate
    a mewing catbird perhaps
    or a worm-hunting robin;

    thus this is not the bird I expected,
    the bronze of Baird, the naturalist,
    overtowering lush tropical foliage
    --a stern, upright long-
    bearded visage encountered

    on my trek this damp morning
    to another hard day of editing.
    I sniff a rain-drenched gardenia
    step over flooded paths to study

    Spencer Fullerton Baird, rendered
    aloof in the artist's conception
    of an uptight Victorian prof; and I squint
    closer at the plinth, read:

    "Opus Baskin 1976." Yes! The artist for Ted
    Hughes' Crow! But somehow

    specimen-like
    like the stuffed avians Baird collected
    not the trickster ruffian Crow, still--

    O Baird! Welcome this damp work-
    day amid the jungle of palms and frangipani!

    Christopher T. George

  • Leonard Baskin's statue of Spencer Fullerton Baird (1823-1887),

  • second Secretary of the Smithsonian Institution,
    in its original location when unveiled in 1978.

  • Studies of Baird and Crow by Leonard Baskin (1922-2000).






  • What inspires you? Tell me in a poem of thirty lines or less, any form. Send your entries to me at editorctrip@yahoo.com by midnight on Thursday, August 31, Eastern time. Winners will be published here and first prize winner also receives a copy of the CD of the Charlotte production of highlights from the musical by composer Erik Sitbon and myself, "Jack The Musical: The Ripper Pursued." Good luck!

    Saturday, July 15, 2006

    Adjustments by Mr. Bolton

    The world's a precarious and perplexing place,
    getting more treacherous by the day: Is this
    why our new U.N. Ambassador keeps adjusting
    his glasses over his "Got Milk?" moustache?

    Christopher T. George





    Desert Moon Review Summer Contest Results

    Results of the Desert Moon Review summer contest results can be read here. The judge was Sachi Nag, who has just been named a fellow editor with me at Writer's Block. First place was Jude Goodwin with "With your dry lips"; Second place was Fred Longworth with "Craters from the Sun"; and third was David Benson with "Inanna Whispers to Her Sister."

    The theme was to write a poem about one of the following or a similar angle on the earth's resources: 'Earth without electricity' or 'Earth without oil' or 'Earth without Water' -- that is, thje poet had to use his or her imagination to envision our Earth without some essential element. What would life be like then? How would we survive?

    Well done, Jude, Fred, and David. The three winning poems are to be published in the summer issue of Crescent Moon Journal edited by Mustansir Dalvi.

    Saturday, June 24, 2006

    Fireflies Rising


    As one goes out,
    another lights:
    hope emerging
    from darkness.

    Christopher T. George


    I had a nice experience Wednesday evening walking across the Johns Hopkins University campus watching a myriad of fireflies rising from the darkness of ground cover near Levering Hall. I live by the campus and it would have been simple enough to walk straight to the Milton S. Eisenhower - Sheridan Library to return a bunch of books and renew my library card. But it was a hot and humid Chesapeake Bay evening and I had brought work home to meet a deadline. So I thought I would hop in my blue-black Saturn hatchback and zoom round to park below the library by the Merrick Barn of 1804 where Theatre Hopkins perform. See link through the title. I always like to park near the theatre as I appeared there in a nonspeaking role as tavern owner Peter Taltavul in a special performance of Chris Dickerson's "Booth" twenty four years ago with William Sanderson as John Wilkes Booth expounding before he shot Lincoln. A zip I thought. . .

    Silly me. I didn't bargain with the major construction taking place in the southern sector of the Homewood Campus (what ARE they building? will Hopkins ever stop putting up more buildings???). I was turned away at the southern entrance by a security guard. I ended up parking on Wyman Park Drive by the Wyman Park Health Center, where my late father first received treatment for non-Hodgkin's lymphoma thirty years ago. So I ended up walking as far if not further than I would have walked if I had walked from home!!!!

    I renewed a couple of books, returned the others, and paid to renew my card for another year (don't know what I would do without the valuable resources of the Hopkins library, which have been essential to my different writing projects). Walked back up the steps and bought a strawberry iced latté to cool me in the hot walk back to my car along with a New York Times to read about the mess in Iraq.

    Students were playing frisbee in the quadrangle (often students from the subcontinent are playing cricket there). The bell tower of Garland Hall chimed 9:00 P.M. (I received my M.L.A. diploma in the hall in 1977 and my grandfather and his second wife Olive were there for the occasion, as well as my parents).

    Read a new historical marker next to Wyman quadrangle about the gift of 151.75 acres of the land on which the Homewood campus stands by William Wyman and cousin William Keyser to the university in 1902. Wyman had received the land from the Carroll family and he deeded the land to the University, enabling it to relocate from its original location on Howard Street in downtown Baltimore. He wanted the land to be a buffer against the city which was spreading northward. The campus does remain a buffer, though I wonder what Mr. Wyman would say about the university's burgeoning building program?

    I pause in the humid dusk to watch fireflies rising. As one winks off another lights, and another and another. Some rest on the leafy ground cover, others rise and light.

    Thursday, June 01, 2006

    Totally Ekphrastic

    The Van Gogh Code

    If you play the last conversation
    between Van Gogh and Gauguin backwards,
    you will cut off both your ears.

    Ah, the conspiracy in those swirling
    stars! Sunflowers full of mystery!

    Now, touch the canvas, his thickly
    applied primary colors! Feel
    his pain, his life ooze.

    Christopher T. George

    Oh, I am feeling totally ekphrastic tonight at 3:00 a.m. as I bounce around in my Supp-hose in the kitchen drinking scotch and water and making banana sandwiches on wheat English muffins. Bread would be better for butties but since there appears to be no bread, I will have to settle for the English muffins.

    Suicide Before Breakfast

    Under a starry quilt, a cow
    squats on a thimble; lovers
    make their bed in yellow.

    Van Gogh sips absinthe,
    puzzles whether to cut off his ear
    or make love to Gauguin.

    He uses a knife to shlock the canvas,
    the bloody paint shocks
    with his pain: the stars

    and sunflowers mesmerize.
    Will it be suicide before breakfast
    or happy-ever-after?

    Christopher T. George

    I had an email a couple of days ago from a producer in the U.K. who is producing a program on "Great British Brands" for Channel Four. They are going to be filming June 12-16 and wanted to do a piece in which they would speak to me about my poem, "Ahh, Bisto!"

    The brands they are featuring are Bisto, Hovis, Kit Kat, Pimms, and Odeon. Unfortunately she had also gathered that I lived in the United States and when I asked if they would pay for me to fly over from the US of A for the filming thereof -- cheeky me -- she replied: "I'm afraid our minimal budget would not allow us to cover an expense of that size, we could just about manage a train from Surrey, but that wouldn't really help you!"

    Ahhhh, Drat!

    Ahh, Bisto!

    Redbridge stands by the dock on a wooden crate
    that proclaims, Ahh, Bisto! Use Bisto Gravy.
    As a child, he’d dreamed of being a Bisto Kid
    who’d convert the world to the wonders of Bisto.
    His daughter Molly hands out pamphlets to all
    who’ll accept one. He must get the Word out
    before the midday sun burns the pedestrians
    from the streets. Meanwhile, villagers hustle
    to market, tidy away their Saturday chores.
    He received the Word from the mouth of Jesus,
    he honors the Lord’s Word, swishes it round
    his tongue as he regales all who’ll listen,
    to assure them how good the Word tastes:
    an elixir for the world’s ills. He yells
    parables to passersby. The fishermen mend
    their nets; he’s a fisher of men. Ahh, Bisto!

    Christopher T. George

    Sunday, May 21, 2006

    Erik Sitbon and Myself



    Chris George and Erik Sitbon in the dressing rooms for "Jack--The Musical" -- note the red eye -- so many sleepless nights, ha ha!

    My songwriting partner Erik had an astute comment when we met in Charlotte for the U.S. premiere of our show, "Jack--The Musical: The Ripper Pursued." Erik came over from France and I flew down from Baltimore for the special weekend. Erik remarked, "You know, most writers of musicals are dead, so this is special for the cast to have the composer and the lyricist here. They can't talk to someone like Jerome Kern or Cole Porter. So this is unusual for the performers. They are able to meet us and discuss the show with us."

    I felt privileged to be able to witness the exceptional acting performance by Bryan Long as Thomas Dolan aka Jack the Ripper.

    As noted by Thomas Fortenberry on his blog, "Center of the storm was lead actor Bryan Long (as Tom Dolan). Physically and psychologically he inhabited his character like few actors ever do. He commanded the stage and gave an outstanding and truly haunting performance." Read Thomas's full comments on his blog, link through the title of my last posting below.

    And here is a photograph of the incredible Mister Long. This photograph and the above photo courtesy of Matt Kenyon, who played police divisional surgeon Dr. George Bagster Phillips (great name that! thanks, Matt!)



    I Am Jack!

    Tom/Jack to Betsy:

    Like a knife turning in a lock
    My life changed, I could not turn back
    Evil became my mistress, truth an enemy
    A sudden darkness divided you from me

    Sin and corruption took me over
    Embraced me like a sinister lover
    Satan knew me: became my brother.

    As the blood stained my hands
    Time was an hourglass with racing sands
    The stamp of policemen on my trail
    The incessant beating of a hammer on a nail

    Bloodhounds sniff at my trail, in a lather
    Suddenly my life seems to be over
    A death shroud falls over me — I smother

    Blood coffins me, I begin to choke
    Everyday life’s receded, become a joke
    Existence has turned sour, I am on a rack
    Betsy, there can be no going back:
    I am Jack!

    From "Jack--The Musical: The Ripper Pursued" Copyright © 2000–2002 by Christopher T. George and Erik Sitbon. Read an excerpt from the show published in the May issue of Fireweed -- link through the title above.

    Monday, May 15, 2006

    Ripping it up in Charlotte

    Photographs of the weekend of "Jack" in Charlotte follow soon but meanwhile you can get an idea of how my weekend went by following the link above that will take you to Thomas Fortenberry's blog. Thank you, Thomas for writing up your impressions of our show! Yes it was a great weekend. Bryan Long who plays Jack gives a bravura performance. As with any new production, obviously we have some things to work on but for the show never having had a full-scale production until now it performed well.

    A poem on the fly as it were--

    Leaving Charlotte

    In a black limo like a Mafia staff car,
    I am swept past Fat Boy's Lube Shop
    and the Love of God Ministry:
    playwright on the wing

    memorialized in triumphant
    tableau in backstage stairwell
    with my Victorian cast, each actor armed
    with digital camera, my visit officially sanctified.

    Now AirTran crams me into a last row windowseat
    without a window, the whining jet engine bores
    into my brain. I nibble baby pretzels,
    suck on a miniature Tanqueray gin.

    Christopher T. George

    Tuesday, May 09, 2006

    Tap Dancing to Charlotte


    No, I don't play and that isn't my handbag back there. Chris in the Charlotte studio of Actors Scene Unseen last month. Photograph by James Vita.



    Tap Dancing to Charlotte

    The shoe-repairer taps on heel-savers
    front and back on my Cole-Haan loafers,
    now I can tap-dance my way to Charlotte
    for the opening of my musical on "Jack."

    In the airport, a handicapped lady taps
    the floor with her black cane like a doc
    with a stethoscope, a blind man uses white
    stick to probe the air with a thermometer.

    A dust bunny dances across the mosaic floor
    then a maintenance man taps it into a dustpan.
    And there's a dandelion parasol cozying up to me,
    brushing against me like a cat, then gets caught

    in the updraft of the ceiling fans, rising higher higher,
    and my mind is going with it, soaring toward the heavens:
    absolutely no upper limit, nothing for me to do except
    keep dancing, keep moving, never stop my feet dancing.

    Christopher T. George

    Monday, May 08, 2006

    Cutting the Pages of a Hundred-year-old Text

    I slip the knife between another sleeve of pages
    to cut where no blade has cut and reveal
    secrets hidden from all eyes.

    I feel the gold inlaid title on the green leather spine,
    the text's crisp fine linen paper, sharp handset letters,
    and woodblock engravings. Mmmmmm,

    Bach's "Air on a G String" plays
    on the turntable. Now! I have a poetry contest to judge,
    a book to write. Yes, yet another book to write! Ah,

    I know it, the world awaits breathless.


    Christopher T. George

    As an explanation, apart from my full-time work as a medical editor in Washington, D.C., my upcoming musical, etc., I am working on the Bicentennial History of the St. Andrew's Society of Baltimore so I am knee-deep in men with kilts. Hope though to wrap up the final draft of the work shortly as the Society wishes to have the book out this year, their Bicentennial year. The organization was founded by immigrant Scotsmen at the Fountain Inn in Baltimore City on November 26, 1806, the founding president being Robert Gilmor I, born in Paisley, Scotland, and a leading merchant and banker.

    Fuldrum Contest Winner

    Hi everyone

    Many congratulations to Lisa Cohen who is the winner of the fuldrum contest just ended on this blog.

    Lisa's winning poem is as follows:

    Stephen Biko;
    Hope is a Lazarus, your murder
    a resurrection, hatred's reflection.
    You live.


    Lisa explains, "I introduced my kids to Peter Gabriel's song 'Biko' and they wanted to know what it was about. It's hard to believe it's been nearly 20 years since his murder."

    Congratulations also to the other entrants in the contest who write some very interesting fuldrums making my decision a very hard one.

    As promised, Lisa has won a signed copy of the promo CD of the musical by songwriting partner, Erik Sitbon and myself, "Jack--The Musical" being performed in Charlotte, North Carolina, May 13 and 14 next (link through the title above).

    Incidentally, the CD of the Charlotte production will be available shortly and details are below.


    Photography by Rita AmirAhmadi

    U.S.A. Premiere
    Jack – The Musical
    The Ripper Pursued


    USA Premiere Cast Album to be released and on-sale the day of the first show (May 13, 2006)

    Featuring the All-Star Cast of


    Bryan Long as Thomas Dolan
    Lauren Konen as Betsy Dolan
    Jason Barney as Alfred Corner
    Brooke Boling as Mary Kelly
    Robert W. Haulbrook as “The Boss”
    Micah McDade as George Lusk
    Tara Farrar as Annie Chapman
    John Troutman as Inspector Abberline
    James Lane as Sir Charles Warren
    Stefany Northcutt as Polly Nichols
    Louis Webster as Young Thomas Dolan

    and

    Inga Draper, Matt Kenyon,
    Jonathan McDonald, Melissa McRae,
    and Caleb Newman

    Book and Lyrics by

    Christopher T. George and Erik Sitbon


    Music by Eric Sitbon



    Music Direction by Lauren Konen

    Stage Direction by Elizabeth Peterson-Vita
    Lighting Design by Rita AmirAhmadi

    May 13 & 14, 2006

    2:00 PM and 8:00 PM
    Duke Power Theatre, Spirit Square
    345 N. College Street, Charlotte, NC

    On Sale Now!


    Actors Scene Unseen (SEEN) presents its fully costumed and staged production of Jack – The Musical. In the autumn of 1888, the city of London was gripped with terror by a serial killer whose deeds have become legendary. Jack - The Musical tells the story of one possible conclusion to the enduring mystery of this most famous of unsolved cases. Jack - The Musical features the haunting music of Erik Sitbon and the evocative lyrics of Christopher T. George. After the Saturday performances (May 13, 2006), stay for a talk–back with the author and composer who will be attending the performances from Baltimore, Maryland, and France, respectively. These performances are live only and will not be broadcast.

    Thursday, April 27, 2006

    Poetry Contest Herewith!!!!

    Whoopee! I have won the weekly challenge at Desert Moon Review to write a fuldrum. I will let contest judge Charlene Dewbre explain, and listen carefully playmates because the best entry of a fuldrum received here by May 7, 2006 receives a signed copy of the promo CD of the musical by songwriting partner, Erik Sitbon and myself, "Jack--The Musical" being performed in Charlotte, North Carolina, May 13 and 14 next (link through the title above)--

    Here's an exercise in form that we call a Fuldrom (because we like the sound of the word.) Here's how it works:

    Line one introduces the topic.
    Line two creates an unlikely metaphor.
    Line three explains line two and should include internal rhyme.
    Line four must be a contradiction of an earlier line.

    Example #1

    My grandmother
    is a tinkling chain; empty
    on the wind, the windchime gone
    but still there.

    Example #2

    Ethnic cleansing and starvation
    are crumbs caked onto pages -
    ages-crusted, and trusted
    to easily wipe away.

    Brush off your metaphors and show me your Fuldroms!

    Charlene Dewbre,
    Contest Judge


    My winning entry in the Desert Moon Review contest just ended is as follows, another example for you to examine as you come up with your own fuldrum to enter in the new contest here. . .

    Violets:
    giraffes looking out over the lawn
    -- a galloping purple army! Am I barmy?
    They're going nowhere!




    NOW put your fuldrum in the comments section. Best entry received by 12 noon, eastern standard time, Sunday, May 7, 2006 wins the signed copy of the CD published with a numbered limited edition 16-page color book (cash value $35.00). Enter as many times as you like until the deadline. Good luck!